Liste der griechischen Töpfer und Vasenmaler/F
Nicht namentlich bekannte Künstler (Notnamen)
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Künstler-Gruppen
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Painter of Florence 4021 ARV 874 4 Selene riding on a horse (02).jpg
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure oinochoe shape 3 (chous)
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure oinochoe shape 3 (chous)
- description: Selene riding side-saddle on a horse - production place: Athens - painter: Painter of Florence 4021 - period / date: early classical, ca. 460 BC - material: pottery (clay) - height: 22,5 cm - findspot: Orvieto - museum / inventory number: Firenze, Museo Archaeologico Nazionale 3996 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 874, 4 - CVA Firenze (2) plate 66,1.67,1
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.
Group of Ferrara T981 - Red-Figure "Skyphos" with Dancer and "Komast" - Walters 482121 - Side A.jpg
This "skyphos," a large drinking cup, depicts a dancer and a "komast," a drunken reveler. The dancer lunges to the right with extended arms, while the "komast" stands in profile holding a "skyphos." These scenes of festivity are fitting for this vessel, which was associated with the "symposium" (men's drinking party). This particular piece bears evidence of ancient repairs: several copper-alloy clamps-some now broken-were used to join the pieces of the damaged vessel, indicating the value of the "skyphos" to the owner even after it had lost its function of holding liquid.
This "skyphos," a large drinking cup, depicts a dancer and a "komast," a drunken reveler. The dancer lunges to the right with extended arms, while the "komast" stands in profile holding a "skyphos." These scenes of festivity are fitting for this vessel, which was associated with the "symposium" (men's drinking party). This particular piece bears evidence of ancient repairs: several copper-alloy clamps-some now broken-were used to join the pieces of the damaged vessel, indicating the value of the "skyphos" to the owner even after it had lost its function of holding liquid.
Oinochoe satyr play BM F366.jpg
Scene from a satyr play. Apulian red-figured oinochoe, ca. 370–360 BC.
Scene from a satyr play. Apulian red-figured oinochoe, ca. 370–360 BC.
Lekythos attico a figure rosse del pittore di washing, da koufos, T471, 450-425 ac. ca.JPG
(c) I, Sailko, CC BY-SA 3.0
(c) I, Sailko, CC BY-SA 3.0
Lekythos attico a figure rosse del pittore di washing, da koufos, T471, 450-425 ac. ca
Lampadedromia Louvre N3357 n2.jpg
Lampadedromia (torch relay). Attic red-figured oinochoe, 4th century BC. From Italy (?).
Lampadedromia (torch relay). Attic red-figured oinochoe, 4th century BC. From Italy (?).
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Lekythos by the Woman Painter Antikensammlung Berlin V.I. 3372 (9).jpg
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Klage am Grab: Die Verstorbene sitzt an der Grabstele, Angehörige und Dienerin trauern, attisch-weißgrundige Lekythos des Frauen-Malers, um 420 v. Chr., Antikensammlung Berlin im Alten Museum, Inventarnummer V.I. 3372.
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Klage am Grab: Die Verstorbene sitzt an der Grabstele, Angehörige und Dienerin trauern, attisch-weißgrundige Lekythos des Frauen-Malers, um 420 v. Chr., Antikensammlung Berlin im Alten Museum, Inventarnummer V.I. 3372.
Komast cup Louvre E741.jpg
Komos scene. Attic black-figure komast cup, ca. 560 BC.
Komos scene. Attic black-figure komast cup, ca. 560 BC.
Faliscan red-figure flagon attributed to the Fluid group Antikensammlung Würzburg L 813.jpg
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Faliskische rotfigurige Schnabelkanne, der Fluid group zugeschrieben; Bauchbild: Orest ist vor einer Furie mit brennender Fackel ins Heiligtum des Apollon geflohen, der selbst hinter einem Lorbeerbaum erscheint, Halsbild: Amykos sitzt auf einer Amphora, dem Symbol für eine Quelle; um 350/25 v. Chr.; aus der Sammlung Lipperheide, heute in der Antikensammlung Würzburg, Inventarnummer L 813.
Autor/Urheber: Picture taken by Marcus Cyron, Lizenz: CC BY-SA 3.0
Faliskische rotfigurige Schnabelkanne, der Fluid group zugeschrieben; Bauchbild: Orest ist vor einer Furie mit brennender Fackel ins Heiligtum des Apollon geflohen, der selbst hinter einem Lorbeerbaum erscheint, Halsbild: Amykos sitzt auf einer Amphora, dem Symbol für eine Quelle; um 350/25 v. Chr.; aus der Sammlung Lipperheide, heute in der Antikensammlung Würzburg, Inventarnummer L 813.
Bottega del pittore di feoli, quattro piatti etrusco-corinzi, dalla tomba del pittore della sfinge barbuta nella necr. dell'osteria, 630-580 ac ca. 02.jpg
Autor/Urheber: Sailko, Lizenz: CC BY-SA 4.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2017 teil.
Autor/Urheber: Sailko, Lizenz: CC BY-SA 4.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2017 teil.
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Painter of Florence 3984 ARV 271 3 mission to Achilles (02).jpg
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure kalpis
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure kalpis
- description shoulder: Poinix and Odysseus try to convince Achilles to take part in the battle again - production place: Athens - painter: (probably) Painter of Florence 3984 - period / date: late archaic, transition to early classical, ca. 490 BC - material: pottery (clay) - height: 32,5 cm - findspot: Castelluccio (Basilicata) - museum / inventory number: Berlin, Altes Museum (Antikensammlung) F 2176 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 271, 3
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.
Pittore di fauvel, kylix, 425-400 ac. ca.JPG
Autor/Urheber: , Lizenz: CC BY-SA 3.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2012 teil.
Autor/Urheber: , Lizenz: CC BY-SA 3.0
Dieses Bild zeigt ein Denkmal, das zum Kulturerbe Italiens gehört. Dieses Denkmal nimmt am Wettbewerb Wiki Loves Monuments Italia 2012 teil.
Oinochoe, chous MET sf061021194r.jpg
Autor/Urheber: , Lizenz: CC0
Autor/Urheber: , Lizenz: CC0
Greek, Attic; Oinochoe, chous; Vases
Florence Painter - Column Krater Depicting Symposiasts and a Satyr Dancing with Youths - Walters 4866 - Side A.jpg
This red-figure column-krater depicts a symposium with three men on klinai and girl playing auloi. On the left a bearded man lies on a kline, chest frontal, head to the right. Only his upper half and half of the kline are shown. He has a mantle draped around his left shoulder and waist, and wears a thick fillet and wreath. He gestures to his fellow banqueters. Beneath him a table is visible, and above on the wall on the left hangs a basket with covering cloth, and on the right a flute case. To the right is a girl playing auloi in chiton, mantle, thick fillet, and wreath who stands in profile to the right playing auloi. A bearded man and a youth lie on the next kline. Both wear mantles, thick fillets, and wreaths in a fashion similar to the first two figures. The man holds a phiale in his right hand and turns his head to the right towards the youth who faces and gestures toward him; a small kylix in black hangs from the right index finger of the youth. Beneath them a table and footstool are visible; hanging above from left to right are a basket with covering cloth and a kylix. All three support themselves by resting their left elbows on cushions. The back depicts an old man dancing and two youths. In the center a bearded, balding, potbellied man advances to the right as if dancing. He raises his left foot high off the ground, holds a stick in the air above his head in his right hand, and extends his left hand out, holding a mantle which is wrapped around his back and shoulders. He wears a wreath and thick fillet, and appears to have a string (possibly an amulet) around his right forearm. On the left a mantled youth goes left, looking around, a staff in his right hand. On the right another mantled youth moves left, holding a staff out in his right hand. The two youths have fillets.
This red-figure column-krater depicts a symposium with three men on klinai and girl playing auloi. On the left a bearded man lies on a kline, chest frontal, head to the right. Only his upper half and half of the kline are shown. He has a mantle draped around his left shoulder and waist, and wears a thick fillet and wreath. He gestures to his fellow banqueters. Beneath him a table is visible, and above on the wall on the left hangs a basket with covering cloth, and on the right a flute case. To the right is a girl playing auloi in chiton, mantle, thick fillet, and wreath who stands in profile to the right playing auloi. A bearded man and a youth lie on the next kline. Both wear mantles, thick fillets, and wreaths in a fashion similar to the first two figures. The man holds a phiale in his right hand and turns his head to the right towards the youth who faces and gestures toward him; a small kylix in black hangs from the right index finger of the youth. Beneath them a table and footstool are visible; hanging above from left to right are a basket with covering cloth and a kylix. All three support themselves by resting their left elbows on cushions. The back depicts an old man dancing and two youths. In the center a bearded, balding, potbellied man advances to the right as if dancing. He raises his left foot high off the ground, holds a stick in the air above his head in his right hand, and extends his left hand out, holding a mantle which is wrapped around his back and shoulders. He wears a wreath and thick fillet, and appears to have a string (possibly an amulet) around his right forearm. On the left a mantled youth goes left, looking around, a staff in his right hand. On the right another mantled youth moves left, holding a staff out in his right hand. The two youths have fillets.
Getty Villa - Wine cup with Dyonisios and an actor - inv. 96.AE.115.jpg
Autor/Urheber:
Wine cup with Dyonisios and an actor.
Autor/Urheber:
Painter of the Fleischman Phlyac cup
,
Lizenz: CC BY-SA 3.0
Wine cup with Dyonisios and an actor.
Antikensammlung Leipzig 372.JPG
Autor/Urheber: Picture: Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
Autor/Urheber: Picture: Marcus Cyron, Lizenz: CC BY-SA 3.0
Da ich derzeit nicht dazu komme, all meinen Bildbestand angemessen aufzubereiten, andererseits aber das material nicht sinnlos auf dem PC verkommen lassen will, habe ich mich entschlossen es mitsamt eventueller Begleittexte (die dann gelöscht werden sollten) quasi als Rohmaterial hochzuladen. Jeder ist herzlich eingeladen, Beschreibungen hinzuzufügen, Titel zu verbessern, Kategorisieren etc.
Painter of the Florence Stamnoi - Red-figure Stamnos with Eos and Two Youths - Walters 482034 - Side A.jpg
His lyre tumbling to the ground, the youth Cephalus flees the amorous goddess Eos. She grabs his neck while fingering her mantle in the traditional gesture of a demure bride. This theme was a popular subject for red-figure vessels from the early to mid 5th century BC. This "stamnos" (wine container) belongs to a class of vessels which has a low foot in the form of a ring. There are seven known "stamnoi" of this type. All have the same size and proportions and were probably fashioned by the same potter.
His lyre tumbling to the ground, the youth Cephalus flees the amorous goddess Eos. She grabs his neck while fingering her mantle in the traditional gesture of a demure bride. This theme was a popular subject for red-figure vessels from the early to mid 5th century BC. This "stamnos" (wine container) belongs to a class of vessels which has a low foot in the form of a ring. There are seven known "stamnoi" of this type. All have the same size and proportions and were probably fashioned by the same potter.
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Flying-Angel Painter ARV 280 24 two satyrs (01).jpg
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure pelike
Autor/Urheber: ArchaiOptix, Lizenz: CC BY-SA 4.0
object type / vase shape: attic red figure pelike
- description side A: satyr with wine-skin and rhyton, running to the left, looking back - side B: satyr with thyrsos, balancing a skyphos on the sole of his right foot, running to the right, looking back - production place: Athens - painter: Flying-Angel Painter - period / date: late archaic, ca. 480 BC - material: pottery (clay) - height: 31,4 cm - findspot: Greece - museum / inventory number: Tübingen, Schloss Hohentübingen, Museum der Universität, Museum Alte Kulturen E 54 / S./10 1345 - bibliography: John D. Beazley, Attic Red-Figure Vase-Painters, Oxford 1963(2), 280, 24 - Elke Böhr, CVA Tübingen 4, 1984, plate 10, 1-2; 12, 1-2 - Ernst Seidl, Schätze aus dem Schloss Hohentübingen. Ausgewählte Objekte aus den Sammlungen des Museums der Universität Tübingen MUT, 2012, - Stefan Krmnicek, Antike Rollenbilder. Wertvorstellungen in Münzbildern, Bonn 2018,
- Please note: The above museum permits photography of its exhibits for private, educational, scientific, non-commercial purposes. If you intend to use the photo for any commercial aime, please contact the museum and ask for permission.